As William Butler Yeats turns 150, an exhibition at the Hugh Lane is a little like having the poet as a tour guide
You would hardly know it was three days to Bloomsday. The middle of June in Dublin is usually infused with Joycean events and readings and articles, but this year, the face in the arts pages, banners and posters is not James Joyce but W.B. Yeats. Fair enough, though. Tuesday might be the annual celebration of Joyce’s masterwork, but today would have been Yeats’ 150th birthday.
I admit I’m not hugely knowledgeable on either. I’ve read and reread Portrait of the Artist… and Dubliners, but dipped no more than a toe in the “snotgreen… scrotumtightening sea” of Ulysses. I’m fine with the fact that I’ll die without attempting Finnegan’s Wake. The Yeats poems I know best are still the ones we studied at school – Sailing to Byzantium, September 1913 and When You are Old – and even though I loved mythology as a kid, I sometimes find his mythological and spiritualist allusions a little too cerebral for my tastes. For me, Yeats dealt more with the grandiose – with idealism and politics and nationalism – whereas Joyce was more rooted in mundane and intimate humanity, and it might be for that reason that I feel more of an affinity with Joyce’s writings.
That said, an accidental encounter with Yeats this week was a disarmingly intimate and personal one. Continue reading →
Today is Earth Day – and no better day to revisit Carl Sagan‘s mesmerising and humbling perspective on the famous “pale blue dot” photograph of our planet. I find myself coming back to this time and time again – just to remind myself of what really matters. If you do one thing for Earth Day, take three minutes to watch it.
The departure of Books Upstairs from Dublin’s College Green is not at all as bad as I feared
Today is World Book Day and as I’ve mentioned before, I have something of an addiction for the things – although I’m far more successful at accumulating them than reading them. There are certain bookshops around Dublin I can’t pass without stepping into and too often, I can’t leave empty-handed. My guess is that I end up buying at least five books for every one I manage to read, but as Sydney Smith once put it, there’s “no furniture so charming as books.”
The New York Times recently quoted George Orwell as saying that a bookshop “is one of the few places where you can hang around for a long time without spending any money”, and it’s very true (I don’t always buy something). When I step into a good bookshop, I often get a giddy thrill, at once excited and daunted by the seemingly endless possibilities – excited by what I could read and daunted by what I’ll never manage to. Excited or daunted, whether I buy or don’t, a good bookshop is simply a wonderful place to be and to pass time. However, that Orwell quote appeared in an article entitled ‘Assessing the health of independent bookstores’ as an illustration of the enduring challenges of the independent bookshop to stay afloat. The article noted that over the past ten years more than one in three independent bookshops in the UK and Ireland have had to shut up shop, unable to compete with the large chains and online retailers.
Curator of curiosity Maria Popova took an editorial turn last week to champion journalistic integrity and truth in the media
I have something of a soft spot for Maria Popova. For the past two years, her Brain Pickings blog has been a constant companion, like a ridiculously well-read friend whose smarts would put yours to shame if it weren’t for her wholehearted delight in sharing them.
That said, I have something of a tsundoku approach to her weekly Sunday newsletters, which tend to pile up in my inbox like the books on my shelf. I have been gradually clearing that backlog, and enjoying every minute of it. But I am baffled as to how, when I can’t get through all she posts in a week, she manages to find time enough not only to write it all but to read all she writes about.
Opening up Brain Pickings is to venture down the rabbit hole of curiosity. Once you’re in, you quickly discover it’s more than a hole – it’s a whole warren of wonderment you could easily get lost in and never emerge from – but at least you’d never get bored.
Being nominated for a Liebster Award seems as good way as any to reboot this blog. If you don’t know (and I didn’t, myself), the Liebster Award is a nice little blogger-to-blogger boost, a way for bloggers to acknowledge and promote other little-known bloggers they like. Given how little I’ve posted over the last year it’s perhaps somewhat undeserved. Nevertheless, thanks to Lauren Foley for nominating me. Lauren is a terrific writer, and if you do nothing else you should read her magnificently-titled and just plain fantastic story, Squiggly Arse-Crack. But do make sure check out her blog.
Last night, the 5th of November was just a quiet ordinary night for me – unlike the last two years amid the chaos of Guy Fawkes Night in the ‘bonfire capital of the world’. Lest I forget, I dug out this little film I shot last year and thought back on the whole visceral experience, and the brutal history behind it:
The first thing that struck me about Granby Park was the smell. The warm earthy aroma of woodchip and mulch is something more connected with garden centres and countryside than with the heart of a capital city. The day before Granby Park opened I went down to the site to get a take a look at how it was coming together. Behind the decorated railings, volunteers in hi-vis vests were swarming around the site making the final preparations. And the air all around the park, all up Dominick Street, was filled with that sweet, slightly musty smell. Even before Granby Park opened, it was already changing the way I sensed the city.
A while back, I wrote about a book called “Slow Dublin” by Anto Howard, a handy little guide for taking a deeper, richer approach to life in Dublin by slowing down and taking in more of the city. “Live more, fret less”, the book’s cover exhorts, and in the introduction, Howard explains his approach:
“Adopting a slow approach to life is about arousing the senses, connecting with community… and in these hard-hit times it’s about pulling together, sharing a burden, sharing a hope and learning to live with less.”