The end of Climate Conversations is the beginning of the real process
It was fitting for Climate Conversations to wind up its five-session, eight-week process in the Abbey Theatre. Since its inception by W.B. Yeats and Lady Gregory in 1904, The Abbey’s artistic policy has set out “to produce… diverse, engaging, innovative Irish and international theatre”. Climate Conversations could be said to have set out to shape a “diverse, engaging and innovative” Irish response to an international – or rather, global – threat. Given the commitment to engage the creative thinking of the artistic community in the conversations, it was apt that the same artist who spoke at the opening session, Emily Robyn-Archer, returned to create an art piece on stage as this final conversation progressed. And it was fitting that the first speaker at the Abbey Theatre was an abbot.
Change the mythology
Mark Patrick Hederman, Abbot of Glenstal Abbey, reminisced about watching the first men walking on the moon – an event that “destroyed the many-thousand-year-old mythology about the moon – and about ourselves”. There was no man in the moon, he said. Like our earth, it was just “a piece of floating rock”. I was reminded of the famous “pale blue dot” photo of Earth from 6 billion kilometres away, of the mind-altering “overview effect” experienced by astronauts who have seen the planet from the outside. Now, Dom Hederman said, we have to change the mythology yet again, because “the whole wide world now placed in [our] hands is a hand grenade with the pin out, and the time-bomb of the twenty-first century is ticking away.” Continue reading